A review of Economusic in Argentina By EMERGENTE

Translated:
An invisible border opens in the auditorium of MARTE Matienzo Performing Arts.
There, an Errorist security guard controls the arrival of the public.
On the side, the agent-clown Larry Bogad, sitting at a desk, data calls some people. Silence in the room. In the background the Manifesto Economusical is projected:
“Economusic reflects the ups and downs of major economic trends, making note of, and making notes from, declining property values and wages, rising prison populations and sea levels, resonating with the tremolos and allegro of the vibrant and pulsating brutality of our permacrisis “. Keyboard, clarinet, plugs. Posts sunk in ink. Treble, bass tones.
Graphs and statistics. For an hour, Bogad invited the public to be part of an experiment, a reflection,
laughter and astonishment, to rethink the vagaries of the market and global finance. A provocation to understand that change depends on us.

https://www.flickr.com/photos/emergentecomunicacion/sets/72157670591889162

And from SUB COOPERATIVA DE FOTOGRAPHOS, another series of photos and (https://www.facebook.com/subcoop/, scroll to July 22):
Siempre da placer ver gente grosa con tanta simpleza y humildad. Larry es de esos tipos que uno siente que conoce de hace mucho tiempo. Una persona que genera admiración pero un tipo de admiración que te llama a abrazarlo como a un viejo amigo.
La semana pasada, el performer militante neoyorquino se presentó en el Centro Cultural Matienzo invitado por los Etcetera Etcetera Erroristas y nuestra Cria conjunta. Esperábamos algo callejero, teatral y potente ; técnicas de combate sarcástico contra policías armados pero Larry Bogad dio una presentación prolija de música económica. Resultó ser una mezcla de política, belleza y humor que desbordaba todas las categorizaciones. Quedó la sensación que ahí están las armas que vamos a necesitar.
(It is always a pleasure to see great people with such simplicity and humility. Larry is one of those guys that makes you feel like you’re old friends. A person who generates admiration but a type of admiration that calls you to hug him like an old friend.
Last week, the militant new york performer was presented at the cultural center matienzo invited by Etcetera Etcetera, Cria, and our joint. We expected something: powerful street theatre, sarcastic combat techniques against armed police, but Larry Bogad gave a neat presentation of economic music. Turned out to be a mix of politics, beauty and humor that overflowed with all the categorizations. Got the feeling that there are weapons that we’re going to need.)

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Princeton Feb 26, Hofstra Feb 28, and Carnegie Mellon March 1-2.

I’ll be leading a Tactical Performance workshop at Princeton University for theatre students there on Sunday, February 26:

Tactical Performance: The Theory and Practice of Serious Play

And on February 28, I’ll be presenting at this wonderful free symposium at Hofstra University:

Black History Month Symposium: Performing Politics: Embodying Advocacy — Representing Race

http://events.hofstra.edu/index.php?eID=21390

On March 1st, I’ll be doing this public lecture at Carnegie Mellon University:

 

Artist Lecture: L. M. Bogad

And then a 3-hour workshop for Art students at CMU on March 2nd.

 

 

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Upcoming Events: at Piano Fight January 9 and CIIS February 10

Come to this event on Monday, January 9!  I’ll be interviewed about my Tactical Performance book by radical clowns!  How fitting!

Monday, January 9th, 7:30-9pm at PianoFight,

144 Taylor St, San Francisco, California 94102

The inauguration is right around the corner. We can either fall into a dismal pit of despair- or, we can call in the clowns.

This January, the clowns bring forth their trickster activist selves to shed some humor on the madness. They are ecstatic to be joined by author, activist and performer, Larry Bogad, who will be sharing about his new book, TACTICAL PERFORMANCE: The Theory and Practice of Serious Play. Learn more at: www.lmbogad.com

7:30pm/PianoFight Theater/144 Taylor St/$5 in advance/$10@door:
https://www.eventbrite.com/e/clowns-uncelebrate-the-inauguration-with-special-guest-larry-bogad-tickets-30336086050

 

…And on February 10, I’ll be doing a CREATIVE RESISTANCE talk/workshop at the California Institute for Integral Studies:

Saturday, February 10th, 6 PM – 8 PM
Desai | Matta Gallery, 1453 Mission Street, San Francisco (10th Street)

Performer, scholar, and strategist Larry Bogad joins us for an evening to talk about THIS: the theory and practice of serious play…creative resistance in the days and nights ahead of us. Drawing on critical analysis of social and political movements that have come before us, how will we stand together, play together, and make art together in ways that disrupt, build coalition, correct injustice, and effectively, strategically, bring us closer to the world we want to leave to our children. http://www.lmbogad.com/ #Nowmorethanever #LarryBogad #tacticalperformance

NOTE: for this event, I hope to give some quick historical examples and principles, and then break the attendees up into small groups for discussion and guided brainstorming of creative actions for this difficult time.
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Recent Performances and Lectures/Workshops

The Summer and Fall of 2016 was a pretty active time…besides 25 radio appearances in support of the new Tactical Performance book, I was able to travel a bit and give a few talks.  More are planned for 2017, announcement coming soon.

April 16:  Yerba Buena Arts Center, San Francisco:  I performed “Exit 11,” a strange monologue about growing up in New Jersey, toxic waste, green rabbits, corporate impunity, Superfund sites and self-soothing through Vivaldi, chanting, and whalesong.  This was part of the  “Green-Collar Comedy,” one of the events of the Arts & Ecology Residency Showcase.

May 28:  Performed “The Panopticock: An Immodest Proposal,” with J. Stahl and Leslie Dreyer, a neo-Foucouldian satire of the surveillance state, as part of La Pocha Nostra’s OAKLAND VERSUS SAN FRANCISCO event, for the San Francisco International Arts Festival:  http://www.sfiaf.org/la_pocha_nostra.  I also performed a new piece, A WORD FROM OUR SPONSORS, a satire of corporate sponsorship that turns strange and existential by the end.

June 8, Yerba Buena Center for the Arts: As an opening act for Guillermo Gómez-Peña, I performed “A WORD FROM OUR SPONSORS.”

July 13:  Book talk and lecture at the “Hiedra” arts space, Buenos Aires

July 15 performance of Economusic, using the new electronic-absurd ECONOMUSIC APP (!), and some professional opera singers in the audience who didn’t know I was going to call on them to sing, but who were good sports and performed splendidly.  At Club Matienzo, Buenos Aires.

July 18 performance of PANOPTICOCK: An Immodest Proposal, with J. Stahl, at the Hemispheric Institute for Performance and Politics’ Encuentro, Santiago, Chile.

July 20 performative presentation of ECONOMUSIC for my workgroup, organized by Diana Taylor, Santiago, Chile.

July 26 performance of my new monologue/slide showA NOTE FROM OUR SPONSORS, Valaparaiso, Chile.

September 22 Tactical Performance talk at NYU, Hemispheric Institute for Performance and Politics.

September 23 Tactical Performance book launch event, Bluestockings Books, New York City.

September 24 Adaptation of Non-Fiction Texts to Performance Workshop at Queens Museum, New York.

September 26 Tactical Performance presentation, Bard College.  Sponsored by the Human Rights Project, Theatre and PerformanceProgram, and Experimental Humanities.

October 3  Tactical Performance presentation at Ryerson University, Toronto.

October 5  Tactical Performance presentation at York University, Toronto.

October 17  presentation and workshop for Rupa Marya and activist doctors and interns at UCSF medical school, San Francisco.

October 18:  at CIIS in SF as part of their “Dancing With The So Called Dead: festival, I co-performed with Guillermo Gómez-Peña a series of our original monologues and duets.  https://www.facebook.com/events/1735465340009349/

October 24 workshop for The Graduates, a group of formerly incarcerated women working on a performance critical of the prison-industrial complex, at ArtSpot Productions, New Orleans.

October 26, Tactical Performance workshop for theatre artists at ArtSpot Productions, New Orleans.

October 28, performance of my play, COINTELSHOW: A PATRIOT ACT, at ArtSpot Productions, New Orleans.

November 2nd…once again I tried my hand at telling a personal story at THE MOTH storyslam in Berkeley. Always a good time.

November 10  STREET THEATRE at the invitation of, and in support of, a coalition of progressive unions, in solidarity with Standing Rock, at the Wells Fargo bank in downtown Oakland. The performance was good fun, and my shtick was simple (and once again I was typecast as the bad guy).  The turnout was wonderful–hundreds of diverse union members from a wide array of unions who made an effective connection between Wells Fargo policy, climate justice, and indigenous sovereignty.

November 14  Guest Lecture on Carnivalesque Protest at U.C. Berkeley.

December 1  West Coast Book Launch Event at the great old City Lights Bookstore, San Francisco.  What a pleasure to present at this hallowed space with the old Beats looming over us.  Thanks to Peter Maravelis.

December 4  on a panel at the Howard Zinn Book Fair in San Francisco with my dear old New York City comrades from Reclaim the Streets and other misadventures, Ben Shepard and Ron Hayduk.

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Bogad’s play, COINTELSHOW: A PATRIOT ACT, performed at the San Francisco Mime Troupe

Many years ago, I wrote a play about the FBI’s COINTELPRO activities based on declassified documents, called COINTELSHOW A PATRIOT ACT. It was published by PM Press in 2011 and I’ve continued to update it and perform it in venues ranging from theatres, galleries, labor halls and even in a tent at Burning Man. A long held dream came true on February 12 and 13 of these year when Chris Brandjes and I performed it at the legendary San Francisco Mime Troupe’s Studio.  The space was filled both nights with fired-up audiences who laughed, groaned, and hissed beautifully during the show and asked great qeustions during our Q&A sessions afterwards.

http://www.sfmt.org/updates/homepage/cointelshow.php

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Performance in Oakland: GLAMORGEDDON: Oligarchs Gamble for the city of Oakland-land(TM)

This is the second version of an outrageous science-fictional ironic audience participatory piece, a card-game within an oligarchical decadent party within a stretch humvee limo driving around Oakland (the first version was in San Francisco).  The show sold out and the audience came dressed in costume and in character as the oligarchs of the galactic future, come down to Earth to gamble, blackmail and poison each other–all in the hopes of being the winner who would be the new owner of the city.  Revolutionary surprises were in store along the way for the jet set…

 

Glamorgeddon Limo Lectures

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Interview on Matthew Filipowicz Show (Parts 1 and 2), 28 June 2016

This activist show interviews Bogad about his newest book, Tactical Performance and other current issues around activism and creativity:

 

Part 1

Part 2

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Performance at Fort Mason Chapel with La Pocha Nostra, of “The Panopticock” with Jadelynn Stahl, and a new “Corporate Sponsorship” monologue by Bogad

28 May 2016:  Bogad performed a new outrageous piece with collaborator Jadelynn Stahl, titled “THE PANOPTICOCK: AN IMMODEST PROPOSAL.  It’s an NSA-meets Foucault bizarre romp into the meeting of the kink/tech community of the Bay Area and the national security state…

Also Bogad performed his own original monologue as a “corporate sponsor” of the entire event, which he later used at Yerba Buena Center for the Arts on June 7th to introduce Guillermo Gómez-Peña at a political artist/writer event.

https://www.evensi.us/oakland-vs-san-francisco-fort-mason-chapel/177798373

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November 23: “InsTED TALKS” at Yerba Buena Art Center in San Francisco

701 Mission Street. 5:30-7pm. Free with RSVP.

As part of the all-day, free DISSIDENT FUTURES ART AND IDEAS FESTIVAL (http://dissidentfestival.tumblr.com/), I will be performing with the brilliant JAIME CORTEZ, BILL HSU, and JENNIFER WOFFORD. We are doing a series of short, parodic “InsTED Talks.”

As Jaime wrote on the website:

Through sly parody and satire, these performers will give presentations and performances that project us into futures that are once ominous and funny, where one person’s hopeful vision is another’s dystopia. The rapture and the ever-widening canyon of American wealth disparity all make star appearances in this series of performances by wide-awake Bay Area artists.

A link to event info, and our bios and photos:
http://dissidentfestival.tumblr.com/instedtalks

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Artist-Activist talk at Theatre of Yugen’s EMMET TILL, a river with Rhodessa Jones

NOVEMBER 14
Artist-Activist talk before the performance of EMMETT TILL, a river by THEATRE YUGEN
6pm, Mariposa Studio, 2808 Mariposa St. Free–rsvp online.

The great Theatre Yugen in San Francisco, celebrating their 35th year of work in the Japanese Noh tradition, have launched their newest piece about Emmett Till, an African-American 14-year old boy, whose murder in 1955 sparked momentum for the civil rights movement.

I just saw the performance last night, and it was haunting and moving.

At 6pm before the performance on November 14, I’ll be speaking on and moderating a panel of powerful artist-activists, including the great Rhodessa Jones and Donald Lacy Jr, and Emmett Till Family Representatives and Founders of the Mamie Till Mobley Memorial Foundation Airickca Gordon-Taylor and Ollie Gordon.

Our symposium, called 35 and Counting, will investigate why being an artist counts and how the arts can direct us toward a more civil society.

a link to more information about this event:
http://us4.campaign-archive2.com/?u=af7e9e0138dbf202eb7524691&id=c467331c59

This event is free, but please go online and reserve a seat as it is probably going to sell out. While you are online, please buy a ticket to EMMETT TILL, a river and see it right after our talk. You won’t regret it.

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